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While there’s bound to be a bit of audience overlap, is part of the idea to pick up new fans from each other’s followings? We’ve done a handful of shows in the past and gotten along really well, so it’s really enticing when you can end up on a tour with your friends. I don’t think it’s a total no-brainer that our audiences will be super-familiar with each other’s repertoire, but I think there’s a really high likelihood that people will be excited about the other band. Some people had brought that up to me for years, and I always was like, absolutely not, I could never do it.
I wasn’t precious at all about letting the songs become as big as they wanted to be.THR: The album explores a much wider variety of production styles than you have on previous albums.“Little Black Dress” is an overt nod to ‘60s R&B, which is sandwiched between “Satellite Call” and “Cassiopeia,” two extremely modern-sounding arrangements.And the big production of “Satellite Call” directly follows “Manhattan,” which is as stripped down as your solo tour.Sara Bareilles’ breakthrough, 2007’s “Love Song,” has to count as one of the most ironic smashes ever.It was written as a response to her label telling her she needed to come up with a hit; her musical response, about how she had no intention of conforming, turned out to be just the blockbuster the record company wanted.
But the rebelliousness that bubbled up in “Love Song” didn’t mean that Bareilles brushed off having the hit when she got one, or that she isn’t striving to be radio-friendly in her own fashion Her just-released new album, , is the first of her long-players to break with her signature piano-based sound in a big way, instead favoring up-to-the-moment beats and stylings, even if the underlying sentiments are no less singer-songwriterly than ever.“I’ve always been very autobiographical in the way that I write, but that can be dressed up a million different ways,” she tells .On this album, she “took advice that was actually given to me a really long time ago about not being too precious about the choices you make.” Bareilles preceded her latest album (which hit stores this week) with a solo tour of clubs and small theaters that sold out instantly.Fans who couldn’t get in can take some solace in the fact that her ecstatically reviewed stop at L.A.’s El Rey Theatre was filmed for an upcoming DVD release. I definitely could feel myself being fearful of doing a solo tour.In the meantime, she’s switched out her entire band in anticipation of a co-headlining tour of amphitheaters in September with One Republic, a bill that may emphasize her desire to find an audience that appreciates pure pop craftsmanship as well as personal musings. Given her longstanding love of musical theater, it’s unlikely she’ll ever rise in protest against the show’s producers and compose a song based around the hook “I’m not gonna write you a show-stopping 11 o’clock number.” The Hollywood Reporter: You’ll be co-headlining in a couple of months with One Republic. My insecurities had gotten the best of me in terms of that.